Her Crimson Gifts - A New Episodic Horror Thriller on Kindlevella

I’m tremendously excited to talk a little today about my new Kindlevella series: Her Crimson Gifts!

On the verge of losing control in a nightmare world of monsters, demons, and killers, a young woman must venture forth into the darkness to find and rescue her sister before the cosmic terrors consume them. Armed with her guile and her pistol, Madelyn will stop at nothing to save Claudine. But, if she is to succeed, she must also survive the darkness within her, embrace her power, and overcome the traumatic secrets of her past, or else lose herself to the chaos forever.

Episodes one and two are available now on the Kindlevella platform with new episodes dropping every Monday and Friday.

The inspiration for this story was exploring the concepts of broken relationships, broken families, dread and regret. The core theme of the narrative explores how the traumas visited upon us by family, friends, selves, can become tattooed within and lead us down paths that are both self-destructive as well as destructive to those in our lives.

The story follows Madelyn Astinato shortly after she wakes up in her car in the middle of a snowy field, her younger sister Claudine missing and eerie runes carved into her windshield. Madelyn’s search for Claudine will take her through an eldritch wood, a derelict farmhouse, and a foreboding manor as she battles all manner of monster and demon along the way.

While facing these external threats, Madelyn must also navigate her blurred memories, the fragments of self she lost along the way, and confront a dark order that was once synonymous with family to whom she fled at her lowest. And, she must also face the possibility that Claudine would rather not see her emerge from this plane of chaos alive…

Check out Her Crimson Gifts on KindleVella today!

Let's Discuss: Authenticity of Narrative

This topic, along with power scaling, intentional design, interactive dynamics and a few others is something of an obsession of mine. It’s a topic that I’m very passionate about that I’ve held off on writing a piece on because in all honestly, my life is stressful enough without inviting needless animosity, but, let it never be said that Eugene the Author shies away from risk and discourse.

Authenticity of narrative, if I’m being completely honest, is something I feel is lacking in much of the global landscape. To tell that story, I’ll begin with another.

In my time as an independent author, I’ve had the pleasure of being told by Christian publishers that I’m entirely too worldly and something of a disgrace to the faith, and by secular publishers that I’m entirely too Christian and need to shut up about all this God stuff and cater to more easily monetized views of the world.

Personally, I find both perspectives amusing, truly. One of my personal mantras is “authenticity over everything”, which is to say that I will always pass no matter how big the potential payday if I have to compromise the authenticity of my narrative, my characters and my values to get there.

When demoing upcoming paranormal horror mystery Wired for Ruin, I was told by Christians that the story was antagonistic and pandered to modernity. There are sections of the narrative that deal strongly with some of the harm a few of the protagonists suffered at the hands of Christians, and aspects of the narrative that highlight ways that we can, while still holding our values, do a far better job of outreach, empathy and loving one another regardless of views, background, orientation, etcetera.

I also was told “how dare you depict an openly gay couple and not once have a scene where the protagonist tells them it’s wrong to be what they are!”

Now, on the flip side, whether subscribing to a different theism, agnosticism, or atheism, I had secular people tell me “Yeah I’m not reading a book by a Christian/with a Christian lead/that has positive Christian values/that depicts Christianity in a positive light”, and was told the narrative was distracting, weak, divisive, phobic for having Christianity portrayed positively.

Hey, look at that, I’m uniting people!

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2020, how do I dislike you? Let me count the ways...

Okay, show of hands, did 2020 screw up anyone else’s plan for the year? Cuz I mean…I don’t curse outside of a novel often, but dayum, am I right? The 2020 release schedule for Dragon House Studios was supposed to look like:

The Nora Chronicles Book 2: Nora and the Realm of Whispers, a new entry in the all ages Nora series taking the protagonist on a journey to discover new facets of her power while introducing a terrifying new threat to her life, and the world.

Ochre Alleycat, a Tribus Dulce Story, a novel focusing on a new protagonist, the offspring of the demon crime lord Diamond that runs parallel to and after the original novel.

Blank Splattered Adagio, the story of a young woman in search of her younger sister mysteriously disappeared in a forest the domain of demons, killers and a coven that will stop at nothing to see their machinations fulfilled.

Gossamer Sin, Like a Black Slit Dress, a narrative following the daughter of an adult film star raised to believe she is a goddess in a world of lesser mortals. Is Cadenza simply an over privileged socialite with delusions of grandeur, or does she truly possess a lineage that makes her greater than others? Time, and a collision course with others like her, will tell.

Blue Butterfly: Noire, a drama following the life of a young mixed race girl of Japanese and African descent. Living on her own while grappling with the tail end of her time in university, the scars of her abusive childhood, the echoes of the tragic loss of her parents and the racial tensions that come with being interracial and Black in Japan. As if this wasn’t enough of a struggle, there’s also the matter of the mysterious Hachi-san and the reign of violent attacks rocking the nation in their wake.

Kill All Christians Prequel Story: Blood of My Fathers - “A window into the past, the tragedies that made me who I am. I’ll never forget that night, staring into that girl’s eyes…what was the worse sin? To grant her wish, or to make her live… To bring her along, or to return her to her mother… There was no time to decide; already the howls of the brigands and their familiars were upon us. I drew my admiral sword and spoke a sincere prayer; I would need all that God could spare for what would come next…”

Instead it looked more like:

“AAAAAAAAH FIRES!”

“AAAAAAAAH DEATH WASPS AND I’M ALLERGIC TO BEES!”

“AAAAAAAAH COVID-19!”

“Covid took Rick May, and Ian Holm peaced out? **** you, 2020.”

“…8 minutes…and 46…bloody…seconds.”


Needless to say I didn’t release any new books last year. That being said, I did write quite a few new ones. In addition to the titles above there’s an excellent paranormal horror novel, Wired for Ruin, that I can’t wait to release as well as sequels, new entries, short stories, novellas and more.

I suppose if I picked a resolution, which I rarely do because they are such lofty and unrealistic things and I try to work on bettering myself all throughout the year, it would be to actually consistently update this blog. I have very little patience for the parts of the biz that aren’t creating content and interfacing with the community, but seeing as we all better be masking up and distancing well, this will need to be that community interface.

Stay tuned for more; I can’t wait to share what’s in my mind and being with you all. Above all else, I wish you all a blessed, safe and very Happy New Year!

-Eugene The Author

Better Together, Even if (socially distanced) Apart

I was told in no uncertain terms by my team that it is absolutely abysmal that I haven’t written anything here since May. The thing is, I have the tendency to get bored rather swiftly with any aspect of my artistic career that doesn’t directly involve creation or community engagement.

I’m something of an introvert with outgoing tendencies, and as a result aside from a powerful need to go shopping for vinyls. As a result, the self-isolation aspect of our present dreadfully awful condition isn’t much of a problem for me. I’m blessed enough to have a day job that allows me work from home, I can be an author anywhere, and I find often times books keep better company than people (sorry, not sorry).

That being said, this time of isolation can be difficult for many people the world over, and for many others downright unsafe. Aside from being a kick ass writer of speculative fiction across every genre and composer of dope instrumentals, I’m a minister of the gospel specializing in fringe ministry and on the spot ministry. Isolating makes the latter considerably more difficult, but, technology does make outreach easier.

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Legendary - A Study of Motherhood through Hagar and Beyond

In Japanese culture there is a term, Ikkitousen, which roughly translates to “a warrior worth a thousand.” Throughout scripture there are examples of Ikki Tousen from the warriors three in King David’s retinue, see Chronicles, to Ishmael, son of Hagar. There are those who have slain the offspring of the Fallen, such as David himself, those whose name would become synonymous with great sojourns and expeditions, such as Moses, and those who would become the foundation on which the structure of salvation stands, such as Peter.

Great men, all, figures of epic proportion and heroes across time even when their actions lead in part to calamity. It is in remembering both the triumphs and the pitfalls of these individuals that we learn not just of exaltation but of the human struggle, the human condition, the sacrifice that leads to greatness and elevates from ordinary to extraordinary.

Maverick Minister, you might be asking yourself, what on Earth do all these great men have to do with Mother’s Day? I came here for a celebration of maternity, not an elevation of the patriarchy! Trust me, I’m going somewhere with this, and I think it’s a journey worth taking.

Mother, from the old Germanic Mōdor, a word also used to relate the following concepts: manner, in so much as one possesses good or honorable manner, style, in so much as the unique and authentic individual style attributed to one who is a master of a craft such as an author, artist, or a culture such as a people, tone, in so much as one’s tone, language, tenor, form, prose, essence, existence, self.

Incidentally, the opposite of modor is modortalan, or one who is reprehensible and ill-mannered.

Even in point of origin language celebrates the singular and perhaps at times unfathomable grace, power, necessity of mother and woman. In life we live hoping to leave behind a legacy worthy in the eyes of God, but we are every one of us as nothing without those women who endure, sacrifice, struggle and rail against devil and man to guide us, love us, teach us, clothe us, deliver us. There are many epic men of the Bible, but today I want to look at those women who are legendary.

In point of fact and by literal definition with regard to the process of conception, incubation and birth, to become mother is synonymous with sacrifice. For nine long months, give or take a few depending on a variety of factors, a woman transforms and transfigures her very body and being to become a living vessel to nourish her unborn, to provide food and nutrition, to provide a living suit of armor, and to at all times battle the forces of deviltry in both corporeal and incorporeal forms.

In the Biblical ideal world, this journey is endured with her husband as vanguard, but it is often a long and lonely vigil with complex sorties and ever present battlefields that whether in physicality or metaphysicality, mothers must endure on their own.

Often times, statistically speaking, the journey is not ideal. Often times the journey is carried out in literal solitude. At times the journey begins when one is very young, lacking life experience and resources. At times the journey begins when one is biologically speaking outside of the age of safety, putting mother and child at greater risk of illness or loss of life. At horrid times the journey is not one embarked upon by choice.

When I contemplated motherhood and scripture, the easy figure to examine is of course Mary, Mother of Christ. By no means do I mean her journey was easy; in fact, though this is admittedly by degree a speculation, one could wonder and consider the possibility that given the cultural standards of the day, Mary may have been treated with cruelty by those in her community and even her family for being heavy with child out of wedlock. No, what I mean by easy is the idea that if I say “Name a mother of the Bible”, I’m willing to hazard a guess most people will say “Mary”.

Who I’d like to consider however, is Hagar. When we join Hagar in Scripture, we find a woman placed in the unenviable position of being told by the woman she serves “Here’s the deal, you have to go sleep with my husband and bear us a child.” Imagine going from your ordinary life to becoming a slave to becoming a maidservant, then being told by the woman of the house “Go lay with my eighty-five year old husband and conceive”. Once said conception came to pass, we saw a massive rift form between master and servant, leading to Sarah complaining to her husband, “You are responsible for the wrong I am suffering. I put my slave in your arms, and now that she knows she is pregnant, she despises me. May the Lord judge between you and me.” Abraham replies “Your slave is in your hands, Do with her whatever you think best.”

Evidently what Sarah felt was best was to abuse Hagar until the latter had no choice but to flee to the wilderness. Now, I want to make an important distinction here about what happened here, and what comes next (and what comes after that). I’ve heard it said by individuals who feel, I’ll say less than positive about Scripture, that it shows a patriarchal hand that Ishmael, Hagar’s son, was saved and ascended to greatness solely because of God’s promise to Abraham to make Ishmael a nation for being his son. But, that promise is preceded by a promise God made to Hagar.

An Angel of the Lord finds Hagar in the wilderness by a well and asks her “Where have you come from, and where are you going?” Hagar tells the angel that she is running from Sarah, to which the Angel tells her “Go back to your mistress and submit to her. I will increase your descendants so much that they will be too numerous to count.”

Hagar in faith of the promise of protection for her child returns to a woman she knows will abuse her, stating to the angel “You are the God who sees me. I have now seen the One who sees me.”

In faith Hagar sacrifices, returning to what she knows to be a dreadful, painful situation for the sake of the promise of the elevation of her child. Well, time goes on, approximately fourteen years, and when Abraham’s son through Sarah, Isaac, is weaned Sarah witnesses Ishmael mocking Isaac and that familiar anger returns with a swiftness. What’s interesting here is we see motherhood exercised in two different ways. With regard to Sarah, she acts in a manner she feels secures the sanctity of her household and her son telling Abraham “Get rid of that slave woman and her son, for that woman’s son will never share in the inheritance with my son Isaac.” Though her actions are cruel, her motivation stems from her wanting the biggest share of success and elevation to go to her direct offspring.

Abraham is reluctant to do so, though Scripture states clearly his concern is for his son rather than Ishmael and Hagar. God then makes Abraham a promise, which is really more him relaying to Abraham the promise he’d already made to Hagar, “Do not be so distressed about the boy and your slave woman. Listen to whatever Sarah tells you, because it is through Isaac that your offspring will be reckoned. I will make the son of the slave into a nation also, because he is your offspring.”

The next day Hagar and her son are sent off with water and food to wander in the Desert of Beersheba. To get a little perspective, take a moment (I’ll wait) and google this place; it looks horrible. Now imagine you have none of the modern survival gear you have now. No GPS, no solar battery, no state of the art weatherproof clothing, no weapons, no cruelty free vegan trail mix, just you, your son, a water flask between you, some food and the clothes on your back. I can’t even begin to imagine how utterly decimated Hagar must have felt, but, Hagar was a mother, a mother with a son who had been cut off and disowned, a mother who was a slave cast aside with no idea where shelter would come from, where food would come from, or what horrors she might have to endure to ensure the survival of her son.

Hagar soldiered on for her child until the supplies ran out. Unable to bear having to watch her son die, Hagar placed him beneath shade and went alone to perish in the wilderness “a bowshot” away. Even in choosing death, she first placed her son where he could at least die comfortably, and though Scripture states her thought was “I cannot bear to watch the boy die”, one could also see the inverse of not forcing him to watch her die either.

As Hagar prepared to accept the cruel conclusion of a lifetime of suffering, again the Angel of the Lord came to her. “What is the matter, Hagar? Do not be afraid; God has heard the boy crying as he lies there. Lift the boy up and take him by the hand, for I will make him into a great nation.”

God fulfills his promise and opens her eyes, showing her a well of water where she and her son are able to drink and fight on to survive. And, Ishmael would grow up to become an archer in the desert, a leader of men, a father of a nation. Hagar would go on to hand pick Ishamael’s bride, and one can reasonably extrapolate she did so with the greatest love and care. And true, Ishmael becomes a name of epic proportions synonymous with adventure, excitement, chaos and fortune, however Hagar through her faith, her sacrifice, through her obedience, through her sheer force of will, is become legendary.

Contemplate your mother. Contemplate your wife. Contemplate your sister. Contemplate your friend. Contemplate the women who have had to endure a world where men like Marlon Brando can assault them on a crowded movie set and go through life without repercussions. Contemplate a world where in North Korea there is a saying among women that goes “Women are weak, but mothers are strong”, denoting how in a regime where women have very little in the way of rights if any, a mother will scrape, battle, sacrifice, rally for her child to survive, whether crawling across a frozen lake with riflemen waiting overhead or scraping together every penny she has to send her child off to a nation where they might live a better life.

Contemplate a being that will work the same job as a man and get paid a fraction of the amount, that will watch her child grow in a world she knows will deal with him or her harshly and without measure or mercy. Contemplate a being that would rather endure abuse of every kind if it means feeding her child one more meal.

Contemplate the love, the stentorian power, the condition of sacrifice and unending warfare, who is our protector, our teacher, our caretaker, our source of comfort, our place of joy, our cheerleader, and our dame in the literal sense, a female knight who leads her household to salvation, edification, triumph. I urge you all to contemplate the mystery that is mother, and to give the women in your life and even the strangers on the street the reverence, respect and love that is their due, not because it is mother’s day…

But because they are legendary, and by God, they deserve it.

Let's Discuss - Characterization via Nora and the Eternal Waterwheel!

Hellooooo everybody! Following up on the previous podcast which was a sneak peak of the first chapter of Nora and the Eternal Waterwheel we have a segment digging into the topic of authenticity and characterization through the lens of said novel! Tune in as we discuss maintaining authenticity to your narrative, your characters, and your readers as well as betraying expectations the right way.


If this peaked your interest head on over to https://www.amazon.com/dp/B07DBGMQ51 for an eBook or https://www.amazon.com/dp/1983007137/ for a paperback copy, and stay tuned for the second novel in Tanielle’s travels “Nora and the Realm of Whispers” dropping Winter 2020!

Book Previews Episode 2: Nora and the Eternal Waterwheel

This hiatus was longer than intended...

Welcome back everybody! Eugene The Author here is some great new content for you! This week get a sneak peak at my all ages novel Nora and the Eternal Waterwheel.

Nora Book 1 follows the exploits of Tanielle Travers as she endures the difficulties that come with high school life. There's school bullies, pressures to fit in, staff that don't understand her blended household, visions of a far off kingdom under siege by demons far and wide, nightmares of a knight in flames pursuing her across dimensional rifts, warlocks attacking her home, spider demons, etcetera.

Y'know, just another day in school!

Tanielle must awaken to the truth that she is in fact Princess Nora Ivandrea, stranded on Earth with her memories fractured after a horrific attack by the emissary of darkness, The Tall Man, who seeks to drag her back to his dark master. To make matters worse, her mother the queen is missing beyond the veil of The Creeping Darkness and her only guardian in a strange new world is the very sorcerer turned magus responsible for the fall of the royal household!

Will Tanielle prove equal to the task, or will the darkness have its day?

If you enjoy the novel, head on over to the Store section for links to my Amazon page where you can order paperbacks, eBooks and soon audio books as well!

This is Eugene the Author saying be blessed, be amazing, you already are!

Book Previews - K.A.C. Book 1: In the Village of the Devil's Daughters

Welcome to an exclusive sneak peak at the audiobook version of my Christian (yet accessible and badass for everyone) dark fantasy/horror/mystery novel "Kill All Christians Book 1: In the Village of the Devil's Daughters".

This novel (currently available in both print and e-book format on Amazon) follows the exploits of Saint Sword Moon and his Dark Blood companion Fox as the pair are called to the Village of the Devil's Daughters to investigate the abduction of a child and the targeting of two others by a dybbuk demon.

Moon and Fox live in a world where all forms of Christianity (and indeed even those God based religions such as Judaism) have been outlawed with nearly every professor of the faith hunted down and slain without exception regardless of race, age, gender, orientation, identity, class, etcetera. In the entropic world that remains humans pay homage to the demon barons and warlords who have become Earth's new gods in the eyes of man.

As one of the few survivors and one of the fewer still possessing divine power, Moon must partner with Fox to investigate these demon abductions while surviving grim politic with the twin sisters Hellana and Amahli who serve as the goddesses of the village.

Can Moon and Fox save the children before its too late, or will they too fall prey to the deviltry in the village in the frigid mountains up above? Only time will tell.

Gaming Podcast: Team Sonic Racing Nintendo Switch Impressions!

We're just Super Sonic Racing, runnin' to the point of no return! Everybody's Super Sonic Racing, c'mon let the fires burn!

Today we're gonna talk about Team Sonic Racing as well as some general observations about the pitch and yaw of the Sonic the Hedgehog character and franchise over the years, as well as a brief discussion of the cat and mouse dynamics of Nintendo and Sega of the past.

I've been playing Team Sonic Racing on the Nintendo Switch for around 5 or so hours and I think I'm ready to share my initial impressions, so strap in, fuel up, and let's put the pedal to the metal!